Zhas (
oldrecordplayer) wrote in
psychoshenanigans2012-12-02 12:01 am
Goodnight // AU
He's taking stock. Assessing. He heard the last of the wet, wireslick sounds of a body sliding off a blade a little over a minute ago. The main room is the worst; the "great hall", as it were, was a perfect place for an ambush. Probably meant to work the other way around. He counts bodies, he counts piles of ash by their distinguishing bones. After a moment of counting and listening to the heavy, all-too-soon silence, he signals for the others to spread out and check for stragglers.
The knights are more than happy to scatter to the four winds in search of something else to maim and rip apart. Surrounded by fresh corpses and broken glass, Zhas starts his more thorough investigation. He checks each human body to make sure they aren't in a transitional torpor (often checking by quietly firing a bolt into their chests), checks a few piles of ash to see if they left anything interesting behind. He looks at open books on the floor, notes the way the room's decorated, traces paths with his boots to imagine how it all happened. This was no coincidental skirmish, and these people weren't just a convenient meal in the middle of nowhere.
Something of interest: a group of them ran into a particular side room, followed by even more. Probably humans first, then vampires. Zhas raises his arm as he walks in that direction, not bothering to disguise the heavy sound of his boots trekking through the carnage. If something's in there, he wants it to know he's coming.
He pushes the door aside, weapon aimed and ready, eyes glowing bright in the dim of the room--but he freezes when he sees another eye glowing back.
The knights are more than happy to scatter to the four winds in search of something else to maim and rip apart. Surrounded by fresh corpses and broken glass, Zhas starts his more thorough investigation. He checks each human body to make sure they aren't in a transitional torpor (often checking by quietly firing a bolt into their chests), checks a few piles of ash to see if they left anything interesting behind. He looks at open books on the floor, notes the way the room's decorated, traces paths with his boots to imagine how it all happened. This was no coincidental skirmish, and these people weren't just a convenient meal in the middle of nowhere.
Something of interest: a group of them ran into a particular side room, followed by even more. Probably humans first, then vampires. Zhas raises his arm as he walks in that direction, not bothering to disguise the heavy sound of his boots trekking through the carnage. If something's in there, he wants it to know he's coming.
He pushes the door aside, weapon aimed and ready, eyes glowing bright in the dim of the room--but he freezes when he sees another eye glowing back.

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The sound of approaching boots had prompted him to reach for a weapon--a half-delirious instinct--but the opening door brought the overriding urge to hide, and he abandoned it. It was broken anyway; he couldn't quite remember what exactly had smashed his staff, but it was in two separate pieces now. So, he scrambles back with the kind of haggard and hurried motions that tell of fear, and presses himself as flat into his sad little refuge as he can.
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But he's not thinking about that. He's fixated on that eye, second-guessing whether he saw it or just imagined it. That's what gets him to finally step forward, slowly pacing into the room, still ready to kill if necessary.
He takes his time, making his way around the corpses and the overturned furniture. He's trying to get a look at him, trying to establish an identity or a relevance.
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And he does stare. Now that he knows that he's been definitely spotted, honed in on by this monster-faced man, it's all he can do. It's all he has left. Zhas will get a wonderful look of his eye--quietly seeping tears, perfectly round with fear, the glow of it a greyish moon-white.
Other than that, he's unremarkable. Smallish, youngish, marked up with signs of whatever battle had happened here. If Zhas didn't have that glow to read, there wouldn't have been much about the kid beyond an unfortunately missing eye to set him apart from anything.
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And that's what makes him slowly lower his arm and tilt his head, his obscured expression growing more and more considering as the seconds pass. His eyes narrow, and he keeps his hand on the trigger... But now he's regarding this stranger with more curiosity than apprehension.
What's more, he lowers his gaze to the ground after a moment, noting the broken weapon and a dozen other signs of struggle, before he turns his head and focuses on some unimportant part of the wall. He's listening. Footsteps down the hall, but they turn and go back up a flight of stairs. The other knights must be gathering, which means they may come looking for him again soon...
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All things considered, he at least tries to think quickly. His mind is in shambles, but he manages to sit up straighter, glance around, forcing himself to try and come up with something useful. A weapon that is actually within reach, an escape route, a spell that he might still have energy for... anything.
But all he gets is a better look at fallen familiar faces, a clearer image of this man--one with actual details, and he can't move.
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He's got a checklist to go through. Even if he's Clearsighted, he may not necessarily be worth the trouble it would be to drag him back with them. He finally speaks, voice both soft with disuse and rough with intention.
"Are you hurt?"
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He scoots around the corner of the bookcase and puts his hands back to use it to climb up to his feet. He's clumsy about it, scrambling a little, but he manages. And once he's up, his eye darts with the effort of wracking his brain for what to do, but he doesn't come up with any answers. He's left with useless rattled buzzing in his head, limbs that are shaking and weak, stuck back to the shelf as if it's the only thing keeping him standing.
He's not looking at the skull-faced man anymore, though. Now that he can better see the whole room, all the unmoving shapes in the shadows, he can't look away.
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"My men are clearing the area." He quickly glances back in the direction of the open door, where he can just see movement at the far end of the entrance hall. Then his attention shifts back to Coil. "You should stay here until we're done."
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All of the things that he doesn't understand pile up with everything that he does understand and is still having a hard time processing. He's reeling with it.
He doesn't know who they are, why they're there, or what they're planning after they're 'done.' He doesn't know if anyone is left. Returning to staring at the man for a minute, shellshocked, it takes him a minute to form everything his mind if jamming with into a singular thought.
Bringing shaking fingers up to his face, he shakily gives the sign for 'why?'
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They followed the monsters here. They do not know the situation. He wants Coil to stay so that he won't be in danger, if danger is still here.
He's not sure if he got that through, but it's a start... And it's much easier for him to stumble through these silent words than it is for him to find an audible explanation.
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Eventually though, the picture becomes understandable enough. It at least maybe explains some things. He probably wouldn't be able to take in much more information than that anyway. So, finally manages a small dazed nod. He understands.
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He considers this boy a moment longer, considers the carnage his feet. He remembers a little boy and a record player. He gestures at Coil again, but simply this time. A little repetitive motion to get him to come closer.
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He can't imagine what the man might want with him, but it's pretty clear that he's dreading it.
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He steps forward just as certain, swinging the coat up and over the stranger's shoulders. He pulls the collar forward to make sure it hangs well, reaches into an inside pocket to pull out a kit that he'll need later. And then he steps back, returning them to their separate boundaries.
He looks smaller without the coat. Not any less dangerous, given that all of his weapons are visible now--the bolts at his side, the holster under his arm, the blades in his boots, the strange sheath that circles around his waist... The coat itself is heavy, probably with more weapons and whatever else he keeps on him. But it's warm and it's thick, meant to keep out much colder winds than these.
"I'll need that back," he says, half-signing it anyway, "Don't lose it."
He turns, then, back towards the door, crunching through the remains of some vampire's skull on his way. He's got a lot of work to do.
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It makes him look like a child, with weights dragging down on his shoulders. As if the thing weighs a thousand pounds, it makes something about him buckle and crumble beneath it.
It's because the gesture brings reality pressing down. It's something sudden and tangible, and it isn't what he'd expected. It surprises him, hangs on him, pins him down to the present. Everything is a little more real.
He's grounded now.
The heaviness helps still his shaking, it pulls him back together. As the man heads out of the room and leaves him with the finality of his surroundings, Coil steps and sinks back against the bookshelf again... but the coat keeps him on his feet.
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On those days, though, he likes to keep the door open, just enough so that the agonized noises will float down the hallway and remind people that him killing them is probably the nicer of his options.
His office space is something of an organized mess. A large room, divided roughly between a "library" and a "lab". The prior is the side filled with research. Books are piled on every available shelf, practically overtaking one of the corners of the room--and still, relevant stacks can be found much closer to his desk. Arcane magics, vampire lore, scientific manuals, and most recently, a couple of books on signing have been dragged to the top of the madness. What's not covered in books is covered in notes, charts and scrolls and all the tools you'd need to keep up something like this. Over a decade of work is on haphazard display. It started out having a system; one could imagine that Zhas has been meaning to get around to sorting it all one of these days. But for now, it's abandoned to logical chaos.
Zhas is currently busy on the other side of the room. Meticulously organized by comparison, the walls are covered in medical charts, blueprints, multiple to-scale drawings of the castle's floors... Tools and technology are hung up on hooks or laid out on tables, arranged by size and function. His projects range from mechanical weapon upgrades to the full-blown chemisty lab he has bubbling away in the corner. But the real sight is the operating table, impressive and well-used. A large, spider-like contraption hangs from the ceiling, various electronics hooked up to the arms.
He's got a woman strapped up to the table today. She's still dressed, mostly pretty, but all the attention is up at her head anyway. He's managed to saw off the top of her skull, managed to convince her that not regenerating will greatly increase her chances of living. Blood and whatever other fluids might be up there are dripping nicely into a pan on the table (since he can use it later; waste not, want not). His weapon of choice seems to be a small drill attachment on one of the slender, hanging mechanical arms. Hunched over his work, goggles on, very focused, he very carefully lowers the quietly whirring bit into a specific point of soft tissue and--
She panics. Maybe not drugged enough, or maybe they wore off too fast. She's still too aware. Perhaps not of her conscious will, her wound quickly tries to seal itself up, catching the drill before he can remove it. A scream turns into a strangled noise. Zhas just pauses to sigh, leans back, turns off the drill before it can do worse damage, and frowns at the piece of metal lodged in her head.
That's what he gets for optimism, he supposes. They'd been making such good progress, he and her, and now he has to open the whole thing up again and dig out his drill, and if he were the the type to talk, he would tell her that it's no one's fault but her own.
The twitching will be a problem, though. Must have scraped something a little too important. He'd thought that perhaps he was done with the electric saw for today, but as that's clearly not the case... He reaches up for the correct arm extension and a set of scalpels on the desk behind him. Once more, with feeling.
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This room, he has been particularly curious about. The others avoid it, but it's pretty clear to him why. He hasn't gotten in trouble for hanging around nearby yet, so... today he gets a little more brave. How can't he, with Zhas actually working in there today?
The sounds are what really draw him.
First, he peeks in. Looking over the notes and books, words and diagrams, recording as many mental mental snapshots as he can handle. He's hungry about it, but everything on the other side of the room quickly steals the show.
So, then he hangs his upper body into the room, hand on the doorframe, technically still mostly staying out. He's only trespassing a little bit. And he'll stay there for now, leaning as much as he can, eating up as much detail as he can possibly swallow. The periphery of his attention works on the technology and other projects, passively absorbing details, while he ravenously picks apart the 'main event.'
He's not watching someone cutting into some creature. He's looking at data, assessing a work in progress, analyzing its problems and already coming up with possible solutions. Restraint seems to be the biggest area that could use improvement. If he could just get in there, he could really understand. And help. And get a better look at everything--touch, observe, investigate, remember.
It makes his fingers itch.
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And then he catches him out of his peripheral, eyes darting to follow up on the thing that's not supposed to be there. He recognizes him pretty fast, assumes he must be there with some kind of message (because that's the only reason that anyone ever comes here), but then changes his mind. He doesn't ever catch anyone leaning halfway into the room, not even the crazy ones.
So after a pause, a moment to assess, he pushes the softly-hissing arm away from him, back to its previous position. Coil has at least 90% of his attention for the short while he can spare. What does he want?
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He doesn't know how to explain that he's curious, interested. Even if he'd known the signs for the words, putting them together in a way that makes sense is beyond him. He wants to watch and ask questions. He wants to be a part of this work.
And he might not get another nice opportunity like this for a long time. So, he doesn't retreat all the way. He summons up a little bit more bravery before he entirely chickens out, and hesitantly points to himself and draws a gesture in toward the rest of the room. ...Can he come in?
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He knows physiology and anatomy, he knows about the undead, and he knows how to string ideas together to get progress. Furthermore, he's been nothing if not well-behaved and good at following instruction. He's never really had an opportunity to work with anyone else, but it might be... useful.
So his eventual answer is a quick sign--no touch--followed by a quick gesture inviting him into the room. He's under adult supervision, but Zhas is willing to give it a try. He reaches up for his saw tool again, focusing back in on the problem at hand, trying to think back through all the notes he's seen in the last few weeks for how Coil might be of immediate use.
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He keeps his hands to himself, fidgetfolded together to make sure he doesn't accidentally give into the temptation to touch and look. While Zhas thinks, Coil spares a few glances around at all the tools--such a different collection than what he's used to--and then all his focus goes to the project at hand.
And, in a minute or two, he has something. And even though it's an offer, he still feels like an intruder. So, he's tentative when he makes two questioning signs--restraint and help.
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So he nods, gestures vaguely over the body. Do what you want, he'll just watch.
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It kind of puts him on the spot, but he apparently thrives in that.
Nodding a little to himself once he comes up with something that he's happy with, he gets to work and... ducks out of sight.
Crouched below the table with a wax pencil that he's fished out of his pocket, he's drawing on the floor. He wouldn't mark it up if he wasn't confident that he could clean it off easily enough, so he just kind of hopes that Zhas is okay with it. It kind of breaks the whole "no touch" thing, but he's sure that the results will be appreciated. Just give him a minute.
The little sigils he's drawing are small, but quite complex. Five little arcane circles, arranged in a skewed pentagram shape, though that aspect may be more incidental than it probably seems. They're roughly below where the vampires head, shoulders, and knees are.
And once he works his way quickly through the symbols, he stands again and swaps the wax pencil out for... a pen knife, which he uncaps and points at the vampire with. Then he makes a little stabby motion, and holds up his other hand to indicate a little.
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And then Coil's back up again, indicating injury, bloodletting. His eyes flicker over the animated corpse as he considers, but he doesn't have to consider for long. She's already got a drill in her head; a little physical damage won't ruin anything. He nods, once, permission granted.
She's not really in a state to heal very well anyway. Vampire bodies are strange. Usually it takes conscious control to heal up, and this one's a special case. As long as it's not immediately life-threatening, Coil should get away with it.
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Starting with his subject's knees, he pops the blade into her skin and twists, opening up a small wound in each. Just enough to bleed. Then, he presses a finger to each wound, picking up drops of oozy blood on two different fingers, and crouches to stamp them into the centers of the appropriate sigils beneath her. He repeats the process for her shoulders, staining two more fingers and adding the smudges to two more circles.
Her head is the last step... and that gives him a little bit of pause. He stands there for a minute--bloody pen knife in one hand, the other hand held up at his side with red-tinged fingers spread so he doesn't get the stuff anywhere that it isn't supposed to be--while he thinks. He carefully considers what will be left untouched when Zhas gets back to work, judges where would offer the most stability, and finally picks a spot in the center of her forehead, just above her brow. And once he makes the wound, the last finger is loaded up, and he adds the bloody thumbprint to the final circle.
The rest is just a matter of activating it.
Luckily, the ritual is a simple one. He doesn't need any of his other arcane equipment. His focus and reverence is enough to make it work here. All he has to do is kneel at the sigils and stick his bloodied hand down over the topmost one, clear his mind, and mouth the words.
And the moment that it triggers is definitely noticeable. It's maybe a little dramatic for such a small spell. As if the symbols are drawn in gunpowder, they sizzle and ignite, scorching into the floor. The knifeholes in the vampire's flesh react much the same way, burning and scabbing up in an instant... but the most striking effect is the way that the vampire seems like she's suddenly yanked still by those points.
It's as if there are invisible hooks threaded through her body at those marks, and they're being dragged toward each circle by an incredible force... and it probably feels about the same. Her knees are shoved flat, shoulders pulled back and steady, and head dragged straight on the table.
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He stands again, feeling at a shoulder wound just enough to get an idea of what the injury's turned into, how the body is trying to heal. He verifies with touch that it's a secure link.
"...Hm." Not bad.
And then it's back to work. With her head secure, it's easy to find the guidelines from last time. While he pulls the saw over, he gestures to the few pairs of goggles that are hanging on the wall, kind of shrugs afterwards. He doesn't have to wear them or anything, but sometimes little bits of bone fly off, and vampire blood stings pretty bad if it gets in your eyes.
He won't wait very long for him to decide, though. He flips the switch and, very carefully, starts cutting his way through skin and bone just like he did the last time: slowly, carefully, and to the severe discomfort of his victim.
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And he frowns at the sight of the goggles. Protective eyewear is not something that he's ever had to worry about back home, and he doesn't know how comfortable putting a pair on over an eyepatch would be. But he does only have one working eye, so maybe...
When the saw spins to life, however, the debate ends and he is suddenly convinced. Power tools are something else that he's not exactly used to, so the sound of it gets him moving. Hurrying over to the wall, he finally grabs himself a set of those goggles.
It'll take him a few minutes to adjust the thing and get it properly fitted onto his face, but he'll head back over once it's settled. Stepping up... and then inching a little closer after he gets used to the sound of the blade. It's fascinating, if intimidating. He'll do his best not to crowd Zhas, but he is try to get as close of a look as he can to watch how that thing slides through bone.
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And he'll stop to scribble something down in his notes, of course. Revision of the situation, the damage it looks like he's now dealing with... And after that, he can finally, slowly, reverse the drill and remove it from the brain.
From there he has to take a moment to inspect the damage as well as he can, with a simple light to help him see into the punctured hole. Maybe not as bad as he'd imagined, and she's still technically "alive", so... Another small note of revisions, in a shorthand that he'll translate back later.
Instead of positioning things to continue as usual, though, he stops to think--as it's a complicated question--before signing out his inquiry. Life in the brain. What does Coil think?
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Coil's busy trying to get a sneakily-close peek at what the coating of that pan could be, when Zhas pulls his attention with a question. And after mentally walking back and forth along the signs to pull the meaning together, it suddenly dawns on him what exactly Zhas is trying to accomplish here. His eye widens as it all clicks, the lightbulb almost comically flicking to life up in his head.
And he does have input. His family had plenty of theories on the subject, ran piles of experiments, and it all spins around in his brain for a minute. He nods eagerly and his hands hover, searching for words.
Trying to explain is a mess. His fingers flick through letters as he spells out part of an anatomical term, but doesn't get very far. It will take too long and trying to then explain around it will only make it more confusing. So, he begins to point at his own head, stops when he briefly considers their subject instead, and then finally sweeps a frown over the charts on the wall. There's one of a cross-sectioned brain that gives a decent view, so he moves around Zhas to get to it.
He points at a few things, gives a couple 'kind of' or 'so-so' gestures. He traces a circle around two things in particular, though. The core of the brain first, accompanied with the sign for reptile. Then he indicates a collection of slightly more complex (but still pretty basal) structures, and runs through a few vague signs. He's frustrated that he can't think of better words for it, but it will have to do. Play and then together and both.
It's not one process. As far as he knows, it's something that happens between the reptilian and paleomammalian complexes of the brain and...
...He'll write out notes if needed. He's already scanning around for blank paper.
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And then he suddenly kicks something with his heel--a drawer at his feet, built into the table and suffering from a bit of rust around the edges. The table is steady, but the drawer rolls forward with the shock and opens to reveal a sizeable stack of mostly-clean paper parchment inside.
He takes a lot of notes, so. It never hurts to have extra around.
But if Coil's going to get any of it, he'll have to do it himself. Zhas steps to the side, repositions the drill, and goes for a much lower angle. The core is tricky. The rest of it is at least easier to drill at in the immediate moment. He is running on a clock, as the hole in her brain is already starting to show signs of minor decay around the edges...
So there he goes, drilling another thin hole to see if she'll turn to dust.
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So, as soon as he's got down the basics of what he'd been trying to explain, he abandons the notes and sneaks up to peer around Zhas's elbow again. Just as hungry for the results. Zhas's methods are less precise than his family's, but they also lack all the tedious downsides. This way, they should get something interesting much sooner.
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This new angle doesn't prove immediately fatal. The vampire woman flinches against her bonds (both physical and magical), then grows entirely too still. She might have been confused for truly dead if it weren't for the fact that she hadn't yet started turning to dust. And that's what Zhas waits for, re-positioning for another attempt, counter-timing against the estimation of how long it'll take until her body starts disintegrating out of general damage anyway.
He thinks he's got one more shot. So he keeps the appropriate notes in the back of his mind while he goes for something in the other half of Coil's description. It'll need to be followed up on, need to be tested further, but he does make something of a satisfied sound when drilling down from a higher angle makes her give one last, uncontrolled flinch. Her fingers crumble upwards, her open wound starts to dry and turn to dust at an exponential rate.
And then, soon, there's just a pile of dust on the table. Zhas straightens, sweeps some ash away from his sleeves, and moves back to his original spot to finish taking notes.
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The ending was enjoyable and he's interested in what it potentially confirms, but he's left with the thought of what know? He's maybe disappointed that it's over already.
And with this thought, comes reminding himself that he is trespassing. Fun's over. It's probably time to pack up and go home.
So, he automatically drifts back over to the scribbled notes he left off to the side, but... doesn't really know what to do with them. He can finish his notes in his room, and this one is written with an embarrassing amount of sloppiness. So, he picks the paper and just kind of... hangs onto it.
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And now that he has a guest, well... cleaning has been bumped a little further up the list. He could recall something similar to what Coil had explained, written in one of his collected research journals... but who knows where that one disappeared to...
But that's for later. The real matter, now, is Coil himself. He turns, his experiment finished, and takes to leaning casually against the desk. A lot of possibilities are opening up, a lot of different directions he could take this. While he's still understandably hesitant, and just a little suspicious out of habit, that doesn't change the fact that Coil is obviously and honestly hungry for this stuff. And that... Well, he's never met anyone who even remotely shares his interest in taking undead things apart, whatever the reasons.
He thinks of telling him, but he falls much more comfortably into searching for a gesture instead. It's a much more comfortable though. The sign for magic is hard for him to remember, but he follows it with good, and interested. And that's followed by what he hopes is an easily interpreted question--does Coil want a turn?
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He's sure he misread it. With how private Zhas is, the last thing he'd expected was anything resembling some kind of invitation, but he can't twist it around into anything that makes more sense in his head.
So, after a pretty big hesitation, he tilts his head?
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He steps over to the table instead and flips a switch at its side. The barely-sunken surface of the table slowly floods with a thin layer of water, which helps settle all the ash. Better a pulp than something breathable, as a general rule.
While that's going, he walks towards the door. Signing for Coil to stay there, he adds, in very clear signs, I want to watch you work.
And though he's got one foot out the door, he waits for a reaction.
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The explanation that follows throws him off. His expression unfurrows so his eyebrows can raise, surprised, as he points to himself in disbelief... even though that is probably the stupidest implied-question he could have reacted with.
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Some idea about 'lost kids' bumps around in his head, but he disappears through the doorway before he can think about it too much. He makes sure to knock the door almost-shut with his foot before he leaves completely, though. He'll be back.
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But, he's obedient. He'll wander back to the chair in the lab and take a seat with his notepaper, then. And wait. ...And try to run the scenario of Zhas watching him work through his head, over and over, until it's not quite as shocking and uncomfortable of a thought.
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He only makes it into the door before he has to use his words-- "Get the ash into the tray, far side. There's a brush--" He looks elsewhere, makes his way to the back with the kind of expert spacial understanding that comes from spending half your life somewhere. He picks up a couple liquid-filled vials off the table with his almost-free hand while Coil, presumably, does what he's told.
It's not hard to figure out what he means--there's another part of the floor on the far side of the table, where they were standing earlier, where there's already a layer of cement-like ash remainders. Anything he'd need is nearby.
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He works fast, frowns a little when he realizes that working with wet ash is way different than dry, but he does his best.
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Before he goes anywhere with that, though, he walks back and shuts the door. He makes sure it clicks closed completely this time. Not that he expects visitors, but--he doesn't want anyone in this kid's business.
Finally, he comes back, stands on the opposite side of the table. He's back to being blank-faced and analytic about things, since this is business, and he takes his business very seriously. And, since he hasn't forgotten, he makes a short scribbling gesture and holds his hand out, over the body, for the notes Coil had scrawled out earlier.
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They're mostly an extremely crude sketch of the layers of the brain according to complexity groups, with some notes on what those parts of the brain are normally in charge of, and the beginnings of an explanation as to how vampiric life is in there somewhere. Sometimes those things can be damaged individually without inducing death, and sometimes not. ...There's sure to be volumes on experiments systematically trying to nail down the specifics.
Meanwhile, Coil is leaning to curiously peer at their new subject. It's the examining and analytical kind of curiosity, running through the possibilities for a new project.
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He does it partly to give Coil a little time to think and look things over. He'd come in interested in Zhas' work, and now it's Zhas' turn to be interested in how he interprets things--even the simple idea that Zhas would like to see what he does when given a subject to work with. But, beyond that, he's genuinely interested in the notes. Coil'd been working closely with this sort of thing. It's a long shot, but his expertise is probably better than anything else he'd be able to find. Besides, some of this looks very familiar to him...
After a little while, he hands it back. He signs simply explain, and then gestures to the body. That seems helpful, easy enough. Zhas can play observer for a little while.
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And, in the meantime, he needs a few minutes to think. He fills the time with magically bolting the vampire down as he had with their previous subject, and it goes much master with the circles already scorched into the floor. He just needs to adds drops of blood to the appropriate places, looking over the girl and brainstorming while he works, circling his way around.
It leaves him standing at her head again, watching her snap into place with the activation of the spell. He glances up at the multi-armed contraption hanging overhead, but... no, he's not ready to touch power tools yet. That would be too many big steps in one day. Instead, he looks to Zhas and mimes holding something, pulling his hand back and forth. He needs a manual saw.
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But soon he's turned around, kicking around at boxes tucked under shelves and a couple drawers that hide below tables. He's rather embraced the power-tools setup, and he's got more than enough replacements for those... but there's a certain finesse and preciseness that you just can't get when your saw is connected to a high-powered motor. He's sure he's got something hanging around.
It takes him dragging open two or three different drawers to remember, but eventually he finds something--laid flat at the bottom of a filing cabinet that is apparently not being used for files at all. He holds the wicked thing out for Coil to take (waves it at him a little), while he distractedly checks the other contents of the drawer. Seeing if there's anything else that'd come in handy.
The blade on the saw is good. Clean, very sharp. Well taken care of. Either Zhas takes this kind of work very seriously, or he has a special place in his heart for sharp things. ...Maybe both.
no subject
It takes him a moment to get started, but he's quick about it once he does. This part, he's totally confident in. He's done this plenty of times. Once he gets used to the saw, catches up the muscle-memories of what it's like to saw open someone's skull, remembers the physical effort and momentum needed to cut through bone, he gets her skullcap separated in good time.
And then, as he's wedging the blade in to pry the pieces apart, he... stops. Looking around, he's really realizing just how much he misses the set of tools that he's used to having at hand. With one hand holding the saw in place, he spells out words with the other. Scalpel, probe, hemostat.
no subject
He shuts the drawer and steps back to the desk with a small handful of horrible sharp things, tools and the like--then reaches nearby for a leather case of tools much closer to what Coil is looking for. Not his set, of course, but the tools he keeps on backup.
And then he waits, watches. Forms an opinion, looks for structure, maps out what he wants to do with this kid.